(Source: menilmontant)

(Source: thatgirlspussy)

412
perksofbeingafanboy:
“ Krysten Ritter for MORE Magazine, February 2016
”

perksofbeingafanboy:

Krysten Ritter for MORE Magazine, February 2016

106

kristensource:

Kristen Stewart for Chanel’s Collection Eyes 2016

That summer I did not go crazy
but I wore
very close

very close

to the bone.


Dorothy Allison, from “To the Bone” (via oofpoetry)

sixpenceee:

The Story of L'Inconnue de la Seine

In the early twentieth century, a popular piece of art for the fashionable French home was L'Inconnue de la Seine (translation: “the unknown woman of the Seine”), a completely creepy death-mask (pictured at left) of a young woman whose body had been pulled from the Seine River in Paris, sometime in the 1870s or 1880s. 

As the (somewhat questionable) story goes, a pathologist at the morgue found the unknown woman’s face enchanting, so he made a death mask, a plaster casting of her face. The resulting cast was widely reproduced and became both a popular objet d'art, as well as extremely influential to writers, artists, and indeed young girls who attempted to replicate her (dead) looks.

In 1958, the woman’s face was used on the first CPR doll, dubbed Rescue Annie. Some have thus called hers “the most kissed face of all time,” despite all these kisses occurring roughly eighty years after her death. (Source)

Nothing that I follow really applies to me anymore.

I might delete my blog.

Scrolling through my dash isn’t worth it anymore. I never see anything new. It’s not like before.

I’m bored.

585
catonhottinroof:
“ Jasper Francis Cropsey (1823-1900)
Banks of the river
”

catonhottinroof:

Jasper Francis Cropsey  (1823-1900) 

Banks of the river

(Source: roseydoux)

Pour yourself into me and I will not let a drop of you hit the ground.
Rudy Francisco  (via conflictingheart)

(Source: wordsnquotes.com)


le-flaneur-visuel:

Emotion, Nobuhiko Ōbayashi (1966)

She slept the world. How did you, singing God,
from the start, perfect her sleep so she had
no desire to wake?

Rainer Maria Rilke, excerpt of Sonnets to Orpheus (I, 2)

(Source: antigonick)

gnossienne:

from Samuel Taylor Coleridge’s Kubla Khan (1816)

Theme Urban, by Max davis.